Reconstruction Vol. 9, No. 3, 2009
C. Alessandrini, "Darwish's
Mooney Nickel, "kiwibrand Globalisation: Banking on
Pre-Packaged Artificial Resistance"
F. Janssen, "Transmaturities:
Gender Trouble as Tentative Analogue for Maturity Trouble"
"The Detective and the Witness: An
Ethical Friendship in Julian Barnes’ Arthur and George"Maisha Wester
, "Forgetting to Re-member: 'Post-racial' Amnesia and Racial History
Special Section: Genres
and Marc Ouellette,
I. Leaving the Family:
Verb and Vision
Lavazzi, "The Moving
Figure: Dialogism in Williams' 'The Great Figure.'"
of Disturbance: Bruce Nauman's 'Existentialism' in a Modernist Gallery
Space and the Problems of Analogue Video Art in the Gallery"
II. Genre Fictions
Darren Jorgensen, "On
the Mediocrity of Arthur C. Clarke's Science Fiction"
Rebecca Hawkins, "Mutating
Masculinity: Embodying the Hu(man) in The Hills Have Eyes"
III. Impossibilities of
"Boys Will Be Boys With Boys: the
Real and queer subjectivity in film"
Grouling Cover and Tim Lockridge,
"Icons and Genre: The
Affordances of LiveJournal.Com"
Inniss on Keith Harris-Kahn's Extreme Metal: Music and Culture
on the Edge
Sarah Brouillette on Jean Burgess and Joshua Green's YouTube:
Online Video and Participatory CultureGraham Barnfield
on Owen Hatherley's Militant Modernism
Marc Ouellette on Laurie Ouellette and James Hay's Better Living through Reality TV: Television and Post-Welfare Citizenship
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