Reconstruction Vol. 8, No. 4,
Barnfield and Joseph
G. Ramsey, "Facing the Future After Richard Wright" [Special Section]
"History, Ethnicity and Religion and
the Sudanese North-South Conflict"
Keller, "'God sent me to
piss the world off': Eminem, 'Psycho'-Machia, and the Morality Vice"
Tru Leverette, "Guess
Welcome to Dinner: Contemporary Interracial Romance and the New Racism"
Elizabeth Adams, "The
Color of Permission: Ritual, Race, and the Tanning
Maria Milič, Enrico
Marchetto and Roberto
Costa, "So Far From
Political Punditry: Everyday Digital Storytelling in Italy"
Manora, "The Name of the
Mother: Modernity, Maternity, and the (Bi)Racialized Failure of
Relational Female Subjectivity in Nella Larsen's Quicksand"
Future After Richard Wright
(A Follow-up to Reconstruction 8.1)
American Music: A Critical View of the Origins of Country"
Country: Fakery and 'Strictly American' Music" [Part 2]
Meyerson, "Aunt Sue's
Mistake: False Consciousness in Richard Wright's 'Bright and Morning
Linda Chavers, "The Spot
In The Mirror: The Role of Gender in Richard Wright's Black Boy"
V. Mullen, "Space
and Capital in
Richard Wright's Native
Son and Twelve Million Black Voices"
[from Reconstruction 8.1]
Magazine, 1945 to the Present"
Lesman, "Shifts and
Continuities: The Ideological Evolution of José Rodríguez Feo"
Europe's 'Wild East' in Literature and Film"
Joe Lockard and Stéphane Symons, "Posthumanism
of the New Intermedia: The Cellphone Named Desire"
Nashar Baroud, "Fetishizing
Death: Hyperspaces for Freedom"
Barnfield on Theodore Dalrymple's Life
at the Bottom: The Worldview That Makes the Underclass and Simon
Winlow's Badfellas: Crime, Tradition and
Ganser on Ian Tyrrell's "Transnational
Nation: United States History in Global Perspective"
Gerald Collins on J. MacGregor Wise's Cultural Globalization: a User's
on Terrence R. Wandtke's (ed.) The
Amazing, Transforming Superhero!: Essays on the Revision of Characters
in Comic Books, Film and Television
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